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auto-da-fe
Carolyn Zonailo
blewointmentpress
Vancouver, B.C.
1978
This collection is Zonailo’s auto-da-fe, or “act
of faith”—in her gift as a poet and her belief that
the noumenal can be found in the everyday life that engages all
of us. These poems, especially the ones about her Doukhobor heritage,
form the foundation for her poetics. Contains unique and experimental
prose poems as well as poetry.
Critical Praise for auto-da-fe
…the poems, which on the
whole speak with an unostentatious, clear colloquial voice at
once lyrical and sturdy, a voice which, even when it is adopting
the tone of a manifesto, does not over-insist on itself. The poems
work at various levels, graphic and symbolic, but without rhetorical
over-elaboration…"Initiation" is a fine example
of Zonailo's central strength as a poet: her ability to render
a multiplicity of meanings in a language at once graphic, kinetic,
colloquial and cadenced…
The series of prose pieces called
"Myths of Heresy" are small parables which use the syntax
of prose to subvert narrative, sequence, point of view. It is
familiar territory, static, enigmatic, a place of gesture without
motion, space without time. Central to the subversion of traditional
meanings in these pieces is the figure of Circe, transformed from
sorceress to goddess of plenitude; central to the subversion of
narrative technique is the figure of the Jogger, that surreal
image of our own time, who undermines the act of running by having
no goal. The prose pieces are slight, indeterminate, they resist
closure, with finesse; they call into question the existence of
definitive story, but they leave us with language, with versions,
with variety.
(author unknown)
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